Friday, April 20, 2012
H - Helen of Sparta/Troy #paganblogproject
And she does. Helen's ancestry is attached to Aphrodite for generations, putting the girl squarely in the Golden One's hands. When Aphrodite says "Go" (as she tells Helen several times throughout the mortal's relationship with Paris), Helen is compelled to obey.
One of my current writing projects is a novel (Temple of Beauty) that explores the life of Helen, much as my book Temple of Love explored the life of Sappho. What follows in this blog post are excerpts, two full (non-consecutive) chapters, from the Temple of Beauty, my own interpretation of the life of Helen of Sparta. (It is told in the voice of her sister, Clytemnaestra.)
*~*~*~*~*~*
“Entwined”
“My mother did NOT have sex with a swan,” I raged as a child. “God or not! Who would do that?”
Nobody listened to me, though. “You were hatched from eggs,” they said. “Zeus came to your mother as a swan, knowing she would never knowingly betray her husband.” They pointed to my brothers’ skullcap hats as proof. “The remnants of the shell,” they whispered. Secretly, I believe our brothers wore the hats because of people’s silly rumors. They found it to be a great joke when we were young, and as adults it always worked in their favor to remind the world that they were “sons of Zeus” – men worthy of consideration.
Helen and I are twins. You might have known this, I suppose, but it’s easy to forget since we look nothing alike. Everyone knows our brothers are twins. Kastor and Pollux. Living their lives so bound up in each other, the gods transformed their twin souls into star-set Gemini when they died.
No stories of sisterly affection or close bond for Helen and Klytemnaestra, though. We didn’t begin or end our lives with enmity, but where our brothers lived and died by each other’s sides, Helen and I were as alien as any two women could have been.
Our mother was the Queen of Sparta, just as Helen was after her. She bore the four of us together, but two of us were sired by the mortal king, while the other two were fathered by an immortal god. Helen and Pollux had the touch of divinity upon them from birth. Beautiful, radiant, marked.
“Zeus, king of the gods, is the father of those two,” people said. “He placed the starry swan in the sky to mark the birth of beautiful Helen.”
The boys were both strong, swift and clever. They wrestled without fear, laughed without shame, and rode without division between themselves and their mounts. Sparta hailed them as the kingdom’s young defenders, and they first practiced this role on Helen and me.
We girls also wrestled bravely, as all Spartan women must, but Helen’s skill in the arena was not enough to prevent her first abduction or to manage an escape. Only Kastor and Pollux could reclaim her from Theseus. Only Kastor and Pollux could smuggle Helen out of Athens and restore her to Sparta.
Theseus stole Helen from us when we were fourteen. Theseus, victor over the Minotaur. Theseus, ruler of Athens. Theseus, lover of every great beauty in the Mediterranean. And so the great hero decided he would have my sister and could not be persuaded otherwise, not by my parents or by the gods themselves.
“Athens is the greatest city in Greece, fair Helen,” he said to her as his oarsmen swiftly rowed them toward that place and away from my father. “Being king there, it is fitting that my queen be the daughter of immortal Zeus, king of the gods. His favor, through you, will shine on me and my city.”
The Spartan princess gave him nothing easily, not even words. What he had from her, he was obliged to take.
“You are my bride now, beautiful Helen, child of Zeus,” he cooed in an attempt to woo her. “That means that you are Queen – and wife to the greatest hero of our age.”
An ugly look crossed her pretty face as she sniffed in disdain.
Nonplussed, he sputtered, “Am I not worthy of the daughter of a God?” His rage was rising.
Slowly, her glinting eyes glided back to his gaze. “I would be the happiest wife of the lowliest hoplite in Sparta if I could rid myself of your arrogant Athenian imposition.”
His only retort came from the back of his hand, and it left the side of her face swollen, stinging and red. She silently vowed never to give him the holy saltwater of her tears, not for so small an injury, and certainly never when he might see her.
She lived as his prisoner, if also as his wife, for two years. Her mother-in-law became her warden, and the daughter she bore to Theseus became her tiny cell-mate.
Of course, Helen would have been known to the world as “Helen of Athens” if it weren’t for our brothers. The boyhood games of rescuing Helen and I from sea monsters as we cursed and fought against the imagined creatures from our restraints on the rocky shore transformed into the battle tactics of men. Young men, brash and bold and un-bearded, unwilling to have a sister and a woman of the royal house of Sparta snatched from under their noses.
“A small crew is best,” Kastor told our father. “We want to be unseen, slipping through the waters, through the city, through Theseus’ door.” Kastor was always such a cunning youth. His wit sliced like a knife. You wanted him with you for every sticky situation, knowing he would carve a way out of it.
They waited, watched and listened within the walls of Theseus’ lands when they arrived. Using plots and ploys, they let the hour ripen to pluck Helen from her jail, stealing away her warden to become her slave as revenge for their sister’s abduction. When Theseus went to the underworld to abduct a bride for his brother, Kastor and Pollux brought Theseus’ own mother back in servitude to Sparta, Helen’s servant for many years.
“And on his throne, we left his rival to rule,” Pollux crowed, drinking the sweet wine for which he was named. “Theseus is brought low for his pride. He sought to steal the daughters of the gods from the families to whom they belong, and he has lost all.”
“He took me,“ Helen told me later. “He took me from my home and family. He took me from myself, my maidenhood. Gave me his daughter to bear and his mother to watch over us both. He thrust them both upon me, and then he left us all as he went in search of greater glory and an immortal wife for his brother. Theseus.” She spat on the earthen floor when she said his name. Such crudeness from my pristine twin.
She was utterly unable to love the child. “She looks like her father,” she said plaintively as she looked into the little girl’s face. “All I see is him when I behold her. How can I take her lovingly to my bosom when she reminds me of the man I despise? Perhaps I should seek a Spartan family to foster her. She is healthy.”
“She might be her father’s child,” I said, “but she is also yours. Iphigenia looks like our family, too, and she is touched with your beauty, Sister. I am, myself, roused with motherly affection for the little girl. Keep her within our own family, and give her to me to rear. I will be her mother, and you shall become her aunt.”
Helen was both elated and relieved, but there was another emotion working behind that beautiful façade as well. An odd look came upon her as she placed the toddler in my arms. She studied our faces, and as moisture dampened her bright eyes, she said, “She looks like your own daughter, Klytemnaestra. ” She paused for a steadying breath. “And so she shall be.”
So little Iphigenia became my daughter before I ever knew the marriage bed.
Kastor and Pollux made sacrifices to Zeus, king of the gods and father to the divine ones among us. Helen made sacrifices to Aphrodite, goddess of love, thanking her for being rid of an unwanted union. I now had a baby, no husband and no stain upon my honor for the unlikely combination, so my sacrifices were for Artemis, the protectress of children, of girls.
Both sets of twins were reunited – sisters and brothers, divine and mortal, connected and separate. Our tales are linked together, the four of us, from our births to our deaths. Kastor and Pollux were bound up in each other so that the world saw it at their first breaths, but none of us were ever free of the bonds of kinship, of twin-ship, that ruled our lives. They would set sail again to reclaim Helen for Sparta, for abduction was a cycle stamped into her very soul.
I would stay behind. Our childhood games never positioned me to rescue my sister, and reality didn’t have us both ravished and in need of rescue. Indeed, I was a prudent and unsung foil to my impetuous and fabled sister.
“You are my mirror’s reflection,” she said to me once. “Or perhaps I am yours. It’s hard to tell which side of the polished copper I stand on when I look at you. I see myself as I ought to be – the dutiful mother, the honorable wife, the mighty queen.”
I would forever be her reflection, and she would be mine – opposites, staring at each other from across a thin but impassable gulf.
“Abduction”
She loved Menelaus like no other. History and myth haven’t told that portion of my sister’s story well. For Helen, the Spartan queen, her strong war-king was a far greater prize than a pretty shepherd. Paris was her duty, as the golden Goddess of love made clear, and Helen loved him as much as her body would allow. Her spirit, though, had been wedded to the towering, thundering, iron-hardened warrior who swept across the sea to reclaim his beloved queen.
If she was Aphrodite made flesh, he was Ares. They were mortal enough to die in the end, I promise you that much. For proof, look to the banks of the river near the town of Therapne. My sister’s clay was burned there, high on the funeral pyre. A tree still stands there in her honor, and a shrine they call the Menalaion, for her husband.
I won’t lie to you, gentle guest, and say she didn’t love the pretty shepherd, too. Paris was charming, and he endeared himself to Helen of Sparta. The Gods make their plans, and Aphrodite always knew that Helen would make the journey across the sea to Troy. Even before that dreadful contest.
You’ve heard the tale of that golden apple and the appointment of Paris as judge, I’m sure. No? Oh, my friend, the world believes the story starts here, so let me share the briefest telling of that tale.
At a certain marriage feast, all the Gods of Olympos were invited. All but Eris, for who would willingly welcome Strife into their marriage? And yet, who could keep her out? And so she came, but the gift she brought was conflict, cleverly concealed. She rolled in a golden apple engraved with a single word. “Kallisti.” It means “for the fairest.” Aphrodite, with the grace of a dove, bent to lift it, knowing she was the fairest of gods and men. Hera, queen of the Olympians, recognized the apple as being stolen from her own evening orchard and strutted with a peacock’s beauty to claim the prize, while grey-eyed Athene, stunning in her wisdom, swooped in to forestall the fray. When the parents of swift Akhilles married, all the Gods of Olympos were invited. All but Strife, for who would willingly welcome Strife into their marriage? And yet, who could keep her out? And so she came, with a gift of her own. She rolled in a golden apple engraved with a single word. “Kallisti.” For the fairest. Aphrodite, with the grace of a dove, bent to lift it, knowing it was hers. Hera, queen of the Olympians, recognized the apple from her evening orchard and strutted with a peacock’s beauty to claim the prize, while grey-eyed Athene, stunning in her wisdom, swooped in to forestall the fray.
Paris was chosen to settle the dispute that erupted between the three goddesses. Paris, a Trojan prince. Paris, a handsome and romantic youth. Paris, a shepherd whose city was favored of old by lovely Aphrodite.
Each goddess appealed to the young prince with the greatest reward she could offer the young man. Hera, in all her royal authority, came to him first. “I can make you a king like there has never been among men before. Your father is a majestic man, but your reign, young prince, will span boundaries no mortal has yet dared to reach and bring you riches beyond imagining. Kingship will be yours, if you give the apple to me.” She left him with a light in his eyes and a desire for power he hadn’t known could stir within his heart.
Happily considering her offer, Paris was approached by solemn Athena. He saw the warning in her eyes, like storm clouds building over a troubled sea. “That apple is no trifle or trinket, Paris. By giving it into my care, you would show wisdom beyond other men. I can turn that wisdom into the makings of legend and lore. Your name will be sung for generations beyond count as a great hero.”
Aphrodite spoke directly to the shepherd’s heart. “The apple’s intended owner is clear enough, sweet boy. It is marked ‘for the fairest,’ and that is me.” She blushed sweetly and continued, “Is it a boast if I say this of myself?”
Paris, at last given leave to speak among the immortal ones, said, “It is not a boast, for all the poets and philosophers hail the beauty of golden Aphrodite.”
“There is a mortal woman whose beauty the poets sing, too, sweet Paris,” Aphrodite continued. “Helen of Sparta is a woman in whose face and form my own beauty shines. In exchange for this prize, lovely Paris, I will give you the greatest love the world has ever known. You will be beloved of the most beautiful woman in the world, and poets and philosophers will tell your tale until the gods turn their shining faces from the world and men have sung their last songs.”
And so, my friend, Love won the contest. Oh, the war was bitter and Helen was cursed by Trojans and Greeks alike, but Aphrodite knew that Paris was like most mortals. He understood that love was as precious as gold.
Friday, March 12, 2010
The Judgment (from Temple of Beauty)
I won’t lie to you, gentle guest, and say she didn’t love the pretty shepherd, too. Paris was charming, and he endeared himself to Helen of Sparta. The Gods make their plans, and Aphrodite always knew that Helen would make the journey across the sea to Troy. Even before that dreadful contest.
You’ve heard the tale of that golden apple and the appointment of Paris as judge, I’m sure. No? Oh, my friend, the world believes the story starts here, so let me share the briefest telling of that tale.
At a certain marriage feast, all the Gods of Olympos were invited. All but Eris, for who would willingly welcome Strife into their marriage? And yet, who could keep her out? And so she came, but the gift she brought was conflict, cleverly concealed. She rolled in a golden apple engraved with a single word. “Kallisti.” It means “for the fairest.” Aphrodite, with the grace of a dove, bent to lift it, knowing she was the fairest of gods and men. Hera, queen of the Olympians, recognized the apple as being stolen from her own evening orchard and strutted with a peacock’s beauty to claim the prize, while grey-eyed Athene, stunning in her wisdom, swooped in to forestall the fray.
Paris was chosen to settle the dispute that erupted between the three goddesses. Paris, a Trojan prince. Paris, a handsome and romantic youth. Paris, a shepherd whose city was favored of old by lovely Aphrodite.
Each goddess appealed to the young prince with the greatest reward she could offer the young man. Hera, in all her royal authority, came to him first. “I can make you a king like there has never been among men before. Your father is a majestic man, but your reign, young prince, will span boundaries no mortal has yet dared to reach and bring you riches beyond imagining. Kingship will be yours, if you give the apple to me.” She left him with a light in his eyes and a desire for power he hadn’t known could stir within his heart.
Happily considering her offer, Paris was approached by solemn Athene. He saw the warning in her eyes, like storm clouds building over a troubled sea. “That apple is no trifle or trinket, Paris. By giving it into my care, you would show wisdom beyond other men. Wisdom far beyond your few mortal years. I can turn that wisdom into the makings of legend and lore. I am the mentor of heroes, Paris. Your name will be sung for generations beyond count as a great hero, if you give the apple and your fate into my care.”
Paris protectively cradled the apple and tucked it out of sight, feeling the weight of Athene’s words as she left him to ponder this newest option.
Aphrodite spoke directly to the shepherd’s heart when she came to win his favor. “The apple’s intended owner is clear enough, sweet boy. It is marked ‘for the fairest,’ and that is me.” She blushed sweetly and continued, “Is it a boast if I say this of myself?”
Paris considered both the words and the image of the goddess before him and said, “It is not a boast, for all the poets and philosophers hail the beauty of golden Aphrodite.”
“There is a mortal woman whose beauty the poets sing, too, sweet Paris,” Aphrodite continued. “Helen of Sparta is a woman in whose face and form my own beauty shines. In exchange for the apple that bears my epithet, lovely Paris, I will give you the greatest love the world has ever known. You will be beloved of the most beautiful woman in the world, and poets and philosophers will tell your tale until the gods turn their shining faces from the world and men have sung their last songs.”
And so, my friend, Love won the contest. Yes, Love, the sweet beguiler and mother of persuasion was more potent than promises of kingship and glory. Royalty and valor, men dream of, it is true. But it is love that pushes men into battle to defend family and country and love that sees them safely home. Love compels mothers to give all for the safety and happiness of their babes. Love binds together the hands of friends and the hearts of tribes in peace and in war. For there is no power on earth more compelling than love.
Sunday, January 17, 2010
Menelaus-Helen-Paris= Ares-Aphrodite-Ankhises???
I have a thought/idea that I would like to explore in fiction, and I want to get some input from folks who are well-studied in such things.
Let me preface this by saying that I am a historical fiction writer, and I am primarily concerned with the Universal Truth that underlies a story -- and a little less concerned with the absolute historical truth.
I also ought to confess that I harbor some resentment toward Homer. I feel that he has done some disservice to Aphrodite (and others) in his codifying of the myths. She, in particular, had been a foreign goddess -- and an old one, at that -- with a fairly well delineated set of traits. He stripped her of her war-like aspects and demoted her by re-creating her birth story.
I wrote the following in my writing journal tonight...
“She loved Menelaus like no other. History and myth haven’t told that portion of my sister’s story well. For Helen, the Spartan queen, her strong war-king was a far greater prize than a pretty shepherd. Paris was her duty, as the golden goddess of love made clear, and Helen loved him as much as her body would allow. Her heart, though, had been wedded to the towering, thundering, iron-hardened warrior who swept across the sea to reclaim his beloved queen.
“If she was Aphrodite made flesh, he was Ares.”
I’ve written Sappho as a priestess of Aphrodite, and now it is Helen’s turn. She was the queen of war-like Sparta, a city-state that honored the goddess of love equally as a goddess of war. This comes truer to Aphrodite’s original nature, born to the Hellenes by the sea-faring Phonecians who knew her as Astarte and Ashteroth. To the Sumerians, she was Ishtar, a lady of love and war whose myth includes an important romance with a shepherd.
Aphrodite’s dual nature was split in Hellenic myth. She longed to be reunited with her war-self, always taking risks to connect with war-like Ares. The pastoral affair was kept, though, in the tale of the goddess and her own Trojan shepherd.
That’s fantastic! I’ve never read anywhere that the love triangle underpinning the Trojan War (Menelaus-Helen-Paris) was a shadow image of the love triangle that the Greeks made of the original Ishtar/Tammuz myth (Ares-Aphrodite-Ankhises). In the Homeric version, Ishtar is separated into Aphrodite and Ares (Love and War). But the story wasn’t originally a conflict. From this basic conflict, though, the Trojan War springs – with Aphrodite’s own war-like nature and her need to support and nurture the agricultural elements featured center-stage.
Maybe someone else has written about this. I need to see if I can find a treatment on this concept.
*****
My questions to you learned folk:
Have you seen this concept elsewhere? (If so, where? Sources, please, so I can follow up with my own research.)
Does it ring true? (It certainly did for me, but I think that is obvious.)
Wednesday, December 16, 2009
Temple of Love is READY
My novel is finally ready! It's been six years in the making, but it is now available for purchase through this e-store (and soon through Amazon).
From the back cover:
Laura Britton is a teacher of literature and creative writing in the
Sappho of Mytiline is the earliest female poet from the Classical world whose writings, fragmentary as they are in their current condition, have come down to us. Precious little is known about the true historical life of Sappho, except what we can glean from poetry written by and about her.
Sappho was hailed as the Tenth Muse, and her poems of love and longing were directed at the men … and women … whom she loved on her island home of
Britton, in this debut title, offers readers a peek at the life and loves of a priestess of Aphrodite – a priestess so notable that she is responsible for our modern understanding of the word “Lesbian.”
Read an excerpt here!
Wednesday, June 11, 2008
Excerpt from Temple of Love
Sappho stole away from the dormitory well after everyone else had gone to bed. The ritual had ended and would be discussed the next morning, allowing everyone sufficient time to encounter the delectable Aphrodite in her dreams. As Sappho had re-dressed herself in dark robes with a dark veil wrapped around her hair and arms, she wondered about the encounter she was about to have with the golden Goddess in the silver moonlight.
The path was easy to see in the pale light of the changing orb. Sappho saw nobody else as she walked, a fact for which she was most grateful since she wasn’t entirely certain how to explain herself. She was out of the thiasos’s residence when she should have been asleep inside it, and, though such action wasn’t expressly forbidden, she feared it wouldn’t be met with approval. She planned on hiding in the shadows with her veil drawn around her if she saw any Priestesses on her path. This was unnecessary, though she did hide a time or two as a precaution when her nerves got the better of her and she thought she heard a noise on the path.
She saw the grove ahead, its apple blossoms glowing in the pale, silver light. The late night had a chill that hadn’t set in during the mirror ritual. Sappho was thankful she had worn the veil. It was a comfort to pull the fabric around her shoulders and arms to keep the chill at bay. She hoped she wouldn’t be too cold, but somehow she figured that wouldn’t be a problem tonight. She thought of Aphrodite, the heat of her breath on her neck, and the way her body responded reassured her that she would certainly be kept warm enough. As long as she thought about Aphrodite, she would be as hot as if she stood near a bonfire.
The little twisted apple trees clustered together in the darkness, their white blossoms quivering in the breeze. There was an opening in the trees that revealed a walkway leading into the heart of the grove. Before she stepped onto the grove’s path, she looked to the left, to the south where the temple sat. A little flame was flickering from an oil lamp on the altar, the fire of Hestia that was never extinguished within the temple. From somewhere inside, a Priestess moved, disrupting the play of light and shadows on the wall.
Sappho took a few steps into the grove and turned her gaze toward its center, the place she had set as her goal. She thought she saw the glow of flames from within the midst of the trees and a figure moving there as well. Was Aphrodite there awaiting her? Was someone else using the grove for some tryst this night? With great curiosity, and great trepidation, she wrapped herself more securely in her veil and moved as stealthily as she could manage toward the tiny flickers of flame.
She smelled a sweet perfume, as of incense, but she saw no smoke. She did, however, see the distinct figure of a woman just beyond the trees in front of her. She heard the singing of a delightful song, and as she watched and listened she was sure she watched Aphrodite. This time She had dark hair that was unbound and hanging to Her waist in thick curls. She turned and faced Sappho through the trees. Sappho was shocked. Aphrodite looked like her!
She spoke directly to Sappho through the camouflage of night and veil and tree. “This grove has always been a favorite of Mine. I have always been here. When the men and women living nearby felt how sacred this grove was, merely because it had My favor, they began having rites here. They marked the entrance with stones and made a simple stone altar for Me. They offered Me their love, their sex, and their first fruits in this grove long before they built the temple. I gave My blessing to the temple and all else that was built on these grounds because of My love for these trees and the devotion of the people who have come here so long.”
As Aphrodite spoke, Sappho moved into the clearing at the heart of the grove. There was a thick carpet of grass and soft beds of moss. Wild roses grew here, shaded by the apple branches. Sappho saw twinkling lights from within those branches, but she couldn’t comprehend their source. She saw no flame. The lights reminded her of stars, and she wondered if Aphrodite had taken some from heaven and bewitched them to hang here.
When she was in close proximity to the Goddess, she was even more stunned to see what she would have sworn was her own face. Aphrodite looked like her, except this was an ideal vision of herself imbued with all the grace and charm of immortal Kypria. This countenance, so much like her own, had no flaw, no scar, no harshness of any sort, and it almost glowed with the power of Olympos.
“May I ask a question?” Sappho inquired politely. Her insides fluttered at being this close to an immortal – a Goddess who had commanded her presence and a performance. Aphrodite nodded. “I know you may have any appearance you wish, but why would you choose mine? I’m no great beauty. There are several other girls of my own age in the thiasos who are far more fair than I. Why not look like them?”
“Perhaps at some other time, I shall. But do not discount your own beauty. Your face, your voice, your spirit are all pleasing to Me,” the Goddess said simply. “You are touched by My beauty and My love. You dishonor Me by not recognizing My gifts to you.”
“I wish to honor You,” Sappho said sincerely.
“There are many ways you may honor Me,” said the Goddess. “There are countless ways to serve Me.”
“How would You best like for Me to honor and serve You, Lady?” Sappho asked.
“Cultivate your beauty. Tend to it as you would tend to a rose garden,” Aphrodite said. “This is the simplest task. See yourself as beautiful, and all who meet you will feel My mark upon you.”
Aphrodite was silent, and Sappho feared for a moment that the Goddess wanted nothing more from her. “Is this all?” she asked.
“No,” she smiled wryly. “You are likely, someday, to wish my requests of you were so simple. You may also serve Me by honoring the love you find in others. You, Sappho, have a great capacity to love, and men and women alike will be drawn to you. Share your love and theirs, always honoring whatever vows you make.”
“What vows will I make?” Sappho asked, desperately hoping that she would take the temple vows and become a Priestess here. She had wanted that since the night she came to Hiera. She held her breath in anticipation of Aphrodite’s response. She hoped to be called immediately into service, but she braced herself for rejection.
“Your vows are always made of your own accord,” said the Goddess. “No mortal man or woman can force you to make a vow against your will, though they can take your like if you refuse. Such as this has and will always continue to happen. I am immortal, though, and I say you are mine. Vow or none, I will always come to you, and I will demand your service when it suits Me.”
Sappho fell to her knees before the Kyprian beauty and kissed the hem of Her robes. “I am Yours.” She wept tears of joy. “What service would You ask of me tonight?”
“Your song,” Aphrodite gently demanded as she lowered Herself onto a mossy cushion.
“I have not written it all,” Sappho admitted, ashamed and fearful of the Goddess’ anger.
“You vowed to sing Me the best song you could write whenever I should call for it,” Aphrodite reminded her. “I call for it now.”
“As you wish,” said Sappho, and she picked up the lyre that was next to her on the ground, awaiting discovery. Sappho sat on the grass before Aphrodite and began to play the instrument. She’d pluck a pretty melody between the lines, while constantly looking into the eyes of the Goddess.
“Shimmering-throned immortal Aphrodite,
Daughter of Zeus, Enchantress, I implore thee!
“Thou hast come, leaving thy father’s golden dominions…
“With chariot yoked to thy fleet-winged coursers,
Fluttering swift pinions over earth’s darkness,
And bringing thee through the infinite, gliding
Downwards from heaven.
“I yearn and I seek your face and your favor.”
By the time she ended, Sappho was exhilarated, titillated, enthralled. The presence of the Goddess of Love was having a bodily effect upon the girl. The power of the inspiration behind her impromptu song moved her as it moved through her. She felt as though she hadn’t been at all responsible for the beauty and arousal of her lyrics. Instead, she felt as though she had channeled some other power and had merely given it voice as it flowed through her.
Aphrodite held her gaze throughout the song. She smiled sweetly as the girl made her offering, the fulfillment of her first vow. Aphrodite accepted this offering graciously, as if it had been the sweetest libation or most precious jewel the girl owned.
Aphrodite continued to compel Sappho’s eyes. She leaned back on Her bed of moss and soft grass for a moment. Then she sat forward and beckoned Sappho closer. The girl happily obeyed and came nearer to the Goddess, feeling the soft carpet under her knees.
“What gift are you willing to give me now?” enticed Aphrodite.
“Any that you wish,” whispered Sappho.
Aphrodite swept a curling tendril away from Sappho’s face. The girl thrilled at the touch of the Goddess. The reaction of arousal at the contact was far more intense than any she had felt with Atthis or as a result of her own hands. She couldn’t have denied Aphrodite any request, and she wouldn’t have wanted to. “Give me yourself,” Aphrodite requested.
Sappho had a moment of clarity, as if Aphrodite had released her momentarily from a spell so that this choice would be entirely her own. With every part of her soul, she knew her response. “I am entirely yours, now and hereafter,” she pledged.
“I will hold you to this vow,” Aphrodite said as She pulled Sappho’s face to Her own and kissed her, tenderly at first but with growing intensity. Sappho was overwhelmed by the ecstasy of their embrace. She felt the world reel around her and the stars spin wildly out of control over her. She let herself sink into the delirium of a choice that has been made and the wild ardor of being taken by the Goddess.
She knew that she made love to Aphrodite – that every touch was an act of tenderness and devotion and lust that brought dizzying and explosive climax ever closer. She could feel and smell and taste the body of the Goddess. She drank Her in and became intoxicated. She could hear Her moans, gasps, sighs, and laughter – all the sounds of pleasure – and knew there was no sweeter music in the universe. She saw the face, the breasts, the curly hair between Her alabaster thighs and knew that no statue could ever show the true beauty of Aphrodite. Surely, Sappho thought, she is most beautiful as She is now – giving and receiving pleasure in the arms of one who is completely devoted to Her.
The two became a tangle of hair and legs and torsos, their hands and mouths continually searching for and finding each other. The pleasure, to Sappho, seemed as if it would last an eternity. She had no other thought in her mind but to enjoy and be enjoyed by Aphrodite, bordering on climax until the stars faded and fell from the heavens. Sappho felt as though she had the stamina to remain intermeshed with Kypris until her very life was ended. And when she knew orgasm was about to take her, it felt like a little death, indeed – such sweet release into oblivion, such cramping desire to sustain it, such remorse that all was ending.
Sappho sang again.
“Then in my bosom my heart wildly flutters,
And, when on thee I gaze never so little,
Bereft am I of all power of utterance,
My tongue is useless.
“There rushes at once through my flesh tingling fire,
My eyes are deprived of all power of vision,
My ears hear nothing but sounds of winds roaring,
And all is blackness.
“Down courses in streams the sweat of emotion,
A dread trembling o’erwhelms me, paler am I
Than dried grass in autumn, and in my madness
Dead I seem almost.”
They panted and smiled, stretched like cats on the mossy ground. They kissed and petted each other until they were content to be still, and Sappho felt the world around her become substantial again.
Aphrodite whispered in her ear, “You will be trained now as a Priestess – my Priestess.” She reached her slender finger down to the secret places Sappho had just explored and touched the moisture there. Sappho wondered if they were going to find heaven together again. Aphrodite smiled as she made an invisible mark on Sappho’s brow. “Now you are anointed by me.”